Lost Ruins is a game where a schoolgirl with an anime appearance can put on a maid costume to more actively wield a broom, women’s panties drop from enemies, bosses need to be hit on the chest to deal damage, and zombies give a quest to find a dakimakura. Usually fan service alone is not enough for a good game, however LR is also a very exciting metroidvania.

And it also has its own lustful Argonian maiden.

The anime world won, the merch turned out to be stronger..

Sometimes the backgrounds are really disappointing, they are so flat and static. It’s always more interesting to look at what’s right in front of the heroine.

"I won’t die in the toilet!»

In general, the game is able to reward the player with pictures that are pleasing to the eye. Not Owlboy, of course, but I can’t even call the graphics completely primitive and mediocre.

The developers placed the main emphasis on effects and animations. Enemy blood spectacularly floods the floor, it’s easy to get splashed at waterfalls, lightning flashes when it rains, and the screen becomes wet, all the friendly heroes dance like Rottytops in a series of games Shantae. It’s a pity that the sewage waters, into which we often have to plunge, react poorly to the heroine. Remember Touhou Luna Nights, where any liquid, when interacting with Sakuya, instantly lost calm, becoming covered in bubbling waves – this is WATER. However, even without this, the work done in the studio’s first game is impressive.

In a winter location you can see falling snowflakes, and when rolling, the snow will fly into the air right from under your feet.

When it rains, the screen becomes covered with drops, and the heroine gets wet. What’s interesting is that if you go under the roof of the building here, these effects will disappear, and the sound of the rain will disappear, the player will hear only muffled rumbles of thunder.

In this location, the animated sky resembles its counterpart in Royal Chapel from Castlevania: Symphony of the Night.

At the top of the tower you can always see twinkling little stars.

In some places there are even dynamic shadows that react to the light emitted by the heroine.

For comparison.

The developers also did a good job when they were doing sound design, although not perfectly. I love it when the game sounds, thanks to which I can believe what is happening on the screen. The heroine stomps almost everywhere in the same way, but different surfaces usually have different sounds; I definitely won’t confuse the creaking of wood and snow in Lost Ruins. When she swings her sword, she makes different sighs, the sounds of blows are always different depending on whether you broke a lamp or a floor candelabra, cut an orc, or break a living skeleton. Magic balls explode loudly when they reach their target. As for me, there is also a lack of additional work with water: when we find ourselves in it, there is a noisy “plop", but movement is almost imperceptible to hearing.

As mentioned above, the dialogues here are presented in the form of windows from visual novels with sprites of the speakers. Why the characters in the game even know about such things as NRIs is explained as the story progresses.

If you don’t like this https://gamebookerscasinoonline.co.uk/ kind of thing, then it’s better to play something more serious.

Of course, they won’t amuse you all the time, for this you need to get to the right characters. The research here is presented in a trivial way: we move forward, jump on platforms, sometimes choose the path we need from several available ones, while locked doors, behind which you can find unique loot, are opened with the help of magic, a found key, or after solving a puzzle, as well as if you come to them from the other side. It is worth clarifying that the usual acquisition of new abilities, as in most Metroidvanias, is not here, instead we are looking for new equipment, weapons and magic that allows us to move further, open closed gates, activate bridges and get into secret areas. There are very few hidden places, occasionally you can see a gap in the wall where you can crawl through, or a bridge from which you can jump, after which you will find yourself in an unfamiliar cave. Probably, today for some developers secret walls are bad manners, but I really missed them. Along the way there will be traps like swinging blades, statues that shoot fire arrows, machines that produce an electric barrier, etc., which can easily throw the player back to the last save. They are manual here, which is what computers from the Paleozoic era are for, next to them you can usually find a vending machine, each selling different items, and a portal. Sometimes you will come across statues that grant autosave, but keep in mind that they will not be allowed to be used again any time soon. If I understand correctly, you need to make at least a couple of such saves in other places, then you can use the old one again. The characters you meet in such places may be traders with unique equipment, as well as quest givers. It is unreasonable to skip tasks, because for their completion Heroine gifted with keys and useful weapons. Surprisingly, you can even fail some of them.

I don’t recommend skipping this knight’s quest if you want to complete the game to all endings. True, she will ask you not to open chests with useful items until the next meeting… The developers cruelly mocked those who like to loot everything in sight on their way. Oh yeah, guess who ruined the quest by saving after opening the chest? I had to start the game again.

Probably the funniest quest is related to this goblin. Long life to him.

It’s clear that you can’t do without battles in a game like this. At first I wasn’t particularly interested Lost Ruins, after all, many write in comments or reviews that she is a soulslice, and I’m not the biggest fan of this genre. Seriously, many reviews, especially negative ones, mention games FromSoftware. Well, so what?? The game is difficult, there are rolls, the character is slow – a clone Dark Souls, it turns out. However, in Lost Ruins there is no pumping with a ton of characteristics that still need to be figured out, which ones are responsible for what; no loss of souls or other currency after death; there is no build that you stick to throughout the entire playthrough; no stamina and long cooldown after a roll; there are no trillion ambushes with dishonest opponents; there are no enemies with hundreds of unreadable attacks for which you need to memorize timings; there is no active pause and other pleasant and not so pleasant elements of soul games.

All the developers went crazy as soon as they discovered how popular Fromov’s games were. Do you want a driving slasher a la Devil May Cry or Ninja Gaiden? No, keep the next one Dark Souls. Looking for a new Metroidvania to play?? Get ready that half of what you see will be with the note “souls-like». I recently took it for myself The Last Faith, which looks gothic and brutal Castlevania, and if at first everything was good, and I was ready to put up with the soul elements even before the purchase, then the game began to tire me: slow rolls with a long recovery time make me angry during battles with bosses and fat opponents; For some reason, healers are not restored at the fire, and enemies drop less and less of them as locations are explored; when a burning or electricity effect is applied to the hero, the lack of a normal pause is only annoying, and if the necessary items are in the active slot, then they still need to be found among the others, and the hardest thing is to remember in a couple of seconds which medicines are responsible for what. And my whip does such negligible damage to the skeletal dragon boss in the dungeons that it’s a shame to show it even to my relatives. Well, let’s go grind and level up. No, it’s clear that I’m a noob, but the game is great, I won’t argue. GiT GuD, as they say. But I don’t like these gameplay features.

And how glad I am that Lost Ruins hurts differently. The combat system is based on inflicting long-term negative statuses on the enemy. Each enemy has its own strengths and weaknesses, anyone can be wetted and struck by lightning, set on fire or first doused with oil for a better effect, poisoned, frozen, forced to spit blood non-stop. We must not forget about the surroundings: there is an electrical trap ahead? Stand right in front of her to instantly deal with the nimble slime attacking you. A jug of oil hangs above the zombie? Break it and then set fire to the spilled liquid on the floor. All this applies to Heroine. When colliding with any enemy or falling into a trap, you can die almost instantly if you are poorly prepared, so you always need to have the necessary consumables on hand, there are a lot of them hidden in locations, but they must first be discovered, and usually there are not enough items if you constantly miss enemy attacks.

From the very beginning, the developers warn that the game has a survival element. And, indeed, you have to constantly look for new items, adapt to the situation and use any means at hand to finish the battle with fewer losses. Thank Markus Persson, no crafting.

Spilled poison gets in the way?

So set it on fire!

The ideal way to deal with enemies is to freeze or electrify water.

Sometimes enemies can blind your alter ego. This is probably how people imagine console games when they say that they are nothing but soap.

Of course, you need to fight enemies somehow, not just throw cans of oil at them. To do this, the game has a rather large arsenal of bladed weapons: various types of short and long swords, daggers and two-handed weapons. Each sword has its own radius of destruction, as well as damage and a passive bonus such as increased damage to orcs or the ability to set the enemy on fire. The more powerful the weapon, the lower its speed, so it is better to remember the distance at which you can reach the enemy. However, usually the speed of some heavy ax is enough to destroy fast demon assassins in a few hits without taking damage, especially since you don’t need to worry about stamina, the same applies to rolls, which are restored instantly. What really needs to be taken into account is the type of animation of the weapon used: with a two-handed sword the heroine swings, causing damage to those who are a meter away from her, and with a dagger she makes piercing attacks directly in front of her. This is very important, because if a small spider comes close to you, then you can’t hit it with a long zweihander. Also, for those who like to play rangers, there are bows and throwing weapons, and for magicians there are many runes with homing arrows, stealing health, summoning electric spheres for protection, ice explosions, etc. – use it for your pleasure, as long as you have enough mana. The main thing is that the pause here is just that: a pause, so at any moment you can retrain from a fighter to an archer or drink a potion to resist burns.

Difficult to approach the enemy? Shoot with a bow!

The shield is your best friend. It can even be used with two-handed weapons.

Almost every weapon is useful, if not until the end of the game, then at least in certain locations.

The heroine has few active items: two slots for weapons, two for magic and from one to three for equipment, depending on progress in the game. Equipment should always be changed according to the situation. There are constantly not enough slots, and you need to choose whether to put on a swimsuit to quickly overcome the water section, or equip armor to increase protection from bleeding, because there is a spearman on the way, which causes the corresponding effect Heroine. Some things can not only be found, but also bought from sellers or in vending machines, but the prices are such that it is better to spend money on a couple of inexpensive consumables, anyway, these are the only things you have enough money for. Over time, you will come across imbued equipment, which allows you, for example, to heal one at a time HP after striking or gradually restore mana without consumables. I would say that this spoils the balance, but even so you can die with a couple of missed attacks, and sometimes it is more profitable to equip yourself with a less powerful thing, but it will definitely protect you from specific opponents. Often a suitable item is not available, which is especially critical in boss fights; in such cases, it is better to strengthen yourself and rely only on your skill, or maybe you will discover a weakness in the enemy and develop tactics against him with existing equipment.

The bosses here are varied, each has two or even three phases, while they change not only the moveset, but also their appearance: an aggressive schoolgirl with a katana turns into a large flying demoness and summons levitating swords, a huge ice queen causing a storm, on the contrary, becomes your height, but now creates her own doubles, etc.d. They are never limited to applying Heroine one negative status, so you always need to prepare before traversing again. With the right equipment and knowledge of the enemy’s weaknesses, battles go quickly, the main thing is to change equipment in time and use consumables if you could not avoid damage and your health quickly decreases.

Initially I passed Lost Ruins on medium difficulty, but to get the true ending you need to play on hard. And, you know, the developers did everything right: they motivated players to complete the game on “Veteran”, where it is fully revealed. Yes, enemies hit harder and absorb more damage, but you already know their weaknesses and remember about rooms with useful loot. In addition, it was on “Veteran” that I began to use almost all the weapons and equipment, and began to beat bosses using cunning rather than stupidly inflicting as much damage as possible. Now it wasn’t me who was locked up with them – it was them who were locked up with me. I don’t recommend starting the game on high difficulty, but when you play through it again you get the same wonderful sensations as when starting the same Dark Souls on NG+. True, the ending, as usual, was disappointing. New art. Thank you…

At the very beginning, you can find one interesting item… Well, at least the developers are not hiding what exactly has changed on the new difficulty.

After completing the game, several new modes open up: killer mode, in which you will have to use only daggers from edged weapons, witch mode, designed specifically for players who love to play mages, and, most interestingly,, boss mode. The player will control three characters locked in one body after a battle with Heroine, namely we will play for Kanu, bloodthirsty girl with a katana, Yuri, an anime-obsessed magician and a silent archer June. We will replay the game and fight old bosses. This mode differs from the main one in that the heroines already have a ready-made motion set with weapons, and they constantly need to be juggled in order to reach the finale. When we visit the place of the heroine’s death, she turns into a boss, and you’ll have to deal with her together, so I strongly recommend learning the techniques of all your charges in advance. For example, Yuri can sprinkle various oils and poisons on the road, which can be set on fire using a beam from her staff, and I don’t remember anyone talking about this, I discovered it by accident. At the end a new boss will be waiting for you. It’s a pity that no other new opponents appear throughout the entire playthrough.

You will replay the game as these beauties, always quarreling with each other.

The game menu has a separate Gallery mode, where you can see various sketches, arts and endings that open after completing the game.

Indeed, real art.

I think it’s time to take stock. I can highlight the following pros and cons of the game:

+ The game is moderately difficult so that it can be completed without broken gamepads, but you will have to work hard.

+ Good graphic effects for a 2D indie game.

+ Fanservice. Although for some this may be a minus.

– Few changes in new modes.

– For a metroidvania, the map is cleared too easily. I want more secrets.

– Memorable boss themes.

I had some fun playing Lost Ruins, and this is a rare case when I immediately decided to go through the game again, several more times. Of the last similar exceptions, I remember only any parts Resident Evil, where the whole point is in replaying, Deus Ex: Mankind Divided, because I wanted to understand the local history, River City Girls 2, after all, you need to upgrade all the characters, and the same Shantae: Half-Genie Hero with its modes for other characters. The game is definitely included in the collection "Favorite games». Hope, Altari Games fate doesn’t wait Atari, and developers will continue to delight gamers with their games in the future.

The disadvantages of this house include the abundance of doors: there were eleven of them, even twelve if you count Pete’s personal door. This door, in fact, was a hole in the window of an uninhabited bedroom. I cut it to the size of a pita’s mustache and covered it with a piece of wood. I must say that I spent a fair part of my life opening different doors to different cats. I once estimated that throughout its history humanity has spent no less than nine hundred and seventy-eight man-hours on this activity. I can show you the calculations.Pete usually used his own door, but there were times when he would force me to open a human door for him, especially if it was snowing outside. Even as a fluffy kitten, Pete developed a simple philosophy in which I was in charge of shelter, food and weather, and he was in charge of everything else. He punished me especially harshly for the weather, and Connecticut winters are only good for Christmas cards. This winter, Pete regularly inspected his door, but did not go out through it – he did not like the white substance covering the ground, and began to pester me, demanding to open the big door for him.He was firmly convinced that behind one of the doors there must be summer. This meant that each time I had to go around all eleven doors and keep each of them open until he was sure that it was still the same winter behind it and gave up on his search.But he never stopped looking for the door to Summer.
"Door to Summer", R. Heinlein.

Immersed in silent sorrow and tired, in the dead of night, Once, when I was drooping, dozing over a book of one Of the knowledge forgotten by the world, a book full of charms, – A knock came, an unexpected knock, on the door of my house: “It was a traveler who knocked on the door of my house, Only a traveler – nothing more.”.
"Raven", E. By.

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Doors. Device for passing through walls. A simple, everyday thing that we never think about. They just are. They surround us from birth until death. We pass through them millions of times in our lives, opening and closing them. Another thing. Like shops, shoes, clothes. There’s nothing mysterious about them. Philosophical. The door has no sacred meaning. Simple utilitarian item. But if you start from this? Rip off the packaging of previous views and see what’s underneath? Yes there is nothing. A door is like a door. But these are open. I’ve always wondered what a closed door hides behind it. Now you open it – and what will be behind it?? I used to stop at the front door of my house, take out the key and turn it with trepidation, carefully, in the naive hope that right now, right at this moment, the door will open and reveal its treasure: not the familiar hallway from childhood, but something else – a new world, a new story. This is where it all starts. Closed doors are intriguing. “The monster behind the door is much scarier than the monster standing right in front of you.”. Because the unknown is scary. Now you open it, take a step beyond the threshold – and so what?? We strive to put our world in order, to find an explanation and meaning for everything because of the fear of chaos. I don’t like modern horror films – for me they have gone the wrong way: instead of fear and atmosphere – only disgust and disgust. They turned demons, ghosts and all the brethren that have been frightening us since the dawn of Humanity into ordinary butchers from the market. Trite. But if you don’t show it, don’t savor it, leave it behind the scenes? It will have a stronger effect. Imagine you are locked in a room. And behind the door a man is screaming heart-rendingly and knife blows are heard. 3 minutes of torture. 3 minutes of screaming. Then silence. Blood flows to you from below the threshold. Steps. blade sound. And you realize that only a weak wooden door separates you from the monster. This is a stronger effect than when a cameraman films the same scene, showing the entire cutting process.

The technique of suspense is also https://slottieclub-casino.uk/games/ used in games. It’s good when you come across a whole bunch of first aid kits and ammo and you understand that the boss is coming, but behind which door?? When you meet him you feel relieved. It’s bad when you don’t know where to go. You wander and wander through the labyrinth of the level, puzzling over which door you need to go through. This is also the unknown. After all, doors in video games hate gamers. Act as a fifth column. Putting spokes in wheels. They are like women – they either need a special approach or a key. Or all at the same time. Like some other beauty, the door stands in front of the player as an impregnable obstacle, capriciously demanding a key of a certain shape and not less than a certain cost. And yes, you definitely need to take her to a restaurant. You can’t take the door with brute force. A gamer may have the most destructive weapon in the Universe, destroying a small army at a time, but it will fail against an ordinary door.

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But the misadventures don’t end after finding the key. Most of the time you know which door the key is for, but if not? And you begin to wander among many doors, trying to find exactly the one you need. Leading you further. Symbolic, isn’t it?? Don’t we spend our entire lives banging on closed doors, trying to open them?? But even having found it, do we always understand that it is open?? And sometimes a door opens somewhere in the distance with a barely noticeable click, the timer starts ticking until it closes, and like a madman, you have to rush through the level, overcoming obstacles to make it in time. To avoid getting stuck. Movement is life.

The unknown of what the door hides is one of the poles. The opposite is knowledge. What’s behind the door. Horror games are built on this principle. Knowing what awaits you (after all, these are horrors), you are forced to open doors, overcoming yourself. It’s safer and more comfortable to stay here, in this room, and not wander around the building, where creepy sounds and knee-deep blood can be heard from behind every wall. But you have to. This is imaginary security. You have to move on. Must. So you open the door and step towards the unknown, another monster. You simultaneously know that a monster or a mystery awaits you there, but at the same time you know nothing. Who, what and why is waiting for you. Every open door is a leap into the unknown, where you know the general outline of the plot, but don’t know the details. But more often than not, life gives you an outdated script, a couple of revisions behind, making a movie of your destiny based on a work unknown to you.

Unknown and knowledge. But we have not yet agreed on such a thing as courage. Or another word. An unknown that describes the state or quality of a person being forced to open a door, enter a room, and do what he is supposed to do. What does a doctor feel when he knows that he needs to open the waiting room door and tell his family that he has died?? What does an ex-lover feel when he has to walk into a café and say that what he said was a lie?? What does a person feel when forced to kill another person in cold blood?? Stupid questions, really? Stupidity, stupidity.

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Simple doors. Two states: open and close. Keys, lock. And so much hidden behind them. Human destinies, hopes and aspirations.

I’m walking in circles. I keep repeating the same facts. Analytics. Computer games. Doors. They protect us from enemies. Gives peace of mind. Hiding us from the crowd. It is behind closed doors that we can relax, take off all our masks and become who we are. If you haven’t forgotten who you are yet. Sometimes there is a frightening feeling that the mask is no longer there. She became you. We play many roles in life. We must restrain ourselves. After all, there are so many rules, so many frames and boundaries. Keep yourself together. Behave with dignity. But once you close the door behind you, what remains?? How much evil happened behind closed doors. Not much. Frames, boundaries, rules always remain with us. They can’t be eradicated.

So what are doors? Simple devices for passing through walls? Or something more? The choice is yours.